Ae Dil Hai Mushkil

Dil tumhara tuta nahi hai, bas bikhra hua hai…

The advocacy to get love, though his actions comic and childish, was beyond any description found in books. The sluggish and the inexperienced he, was embraced in arms of friendship of a stronger lady. Broken hearts are stronger. And he didn’t have a broken heart, his was only scattered. The weaker him, he pushed limits to be with her, to soothe her, to calm her down when emotions from the past were turbulent over her present. His wish, the only wish, was to get loved. And this is the story of his ‘Love’ and her ‘Friendship’.

Ajeeb kahani hai pyar aur dosti ki. Pyar ne dosti ko kabhi samjha hi nahi. Pyar me junoon hai, dosti me sukoon hai...

Her past came into present, and was enough to make the kid grow. As he grew from inside, his endeavors to make her friendship transmute into love grew ferociously. The ‘Love’ was emotionally unbalanced, traumatic, and there ‘Friendship’ was rooted, becalmed, and clear. ‘Friendship’ was comprehended on its own belief. She knew, friendship is the bond of strength between them, and the love is weakness. But ‘Love’ had a different belief. He realized that its passion in love, but what he didn’t realize was friendship is unstrained.

Lag ja gale, ke fir ye haseen raat ho na ho. Shayad, phir is janam mein, mulaqat ho na ho…

He escaped from his truth. He made lies propel his truth to fade away. But his eyes couldn’t lie even a single time. His eyes bleed ‘Love’, and in the redness of pain tried to regain that was lost. She was never meant to be owned by him, he couldn’t realize. He already owned her more than what he wanted in her friendship, he didn’t realize this either. Friendship is above love, he would never understand.

Time flies, and what it leaves behind often is regret and remorse. And when the time was just about to get over, they couldn’t stop but to embrace each other for one last time. ‘Love’ embraced ‘Friendship’, and embraced it till he could feel her heart throb over his. Who knows, will they ever again meet thereafter?

mehfil mein teri
Hum naa rahe jo
Gham toh nahi hai
Gham toh nahi hai
Qisse humaare nazdeeqiyon ke
Kam toh nahi hai
Kam toh nahi hai
Kitni dafaa, subah ko meri
Tere aangan me baithe
Maine shaam kiya


Read more: http://www.lyricsmint.com/2016/09/channa-mereya-ae-dil-hai-mushkil.html

mehfil mein teri
Hum naa rahe jo
Gham toh nahi hai
Gham toh nahi hai
Qisse humaare nazdeeqiyon ke
Kam toh nahi hai
Kam toh nahi hai
Kitni dafaa, subah ko meri
Tere aangan me baithe
Maine shaam kiya


Read more: http://www.lyricsmint.com/2016/09/channa-mereya-ae-dil-hai-mushkil.html

Mehfil mein teri hum na rahe jo, Gham to nahi hai… Kisse hamari, nazdikiyon ke kam to nahi hai... Kitni dafa, subah ko meri tere aangan me baithe maine sham kiya...

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'1920' : My Curiosity Returns

Unlike the way the title of this post throws an impression, I am not concerned about any historic event that took place. Rather, ‘1920 : Evil Returns’, is a recent Bollywood horror movie, released as sequel to ‘1920’, which was released in 2008. I don’t think there is any kind of connection, and I treat both parts as independent movies. This time our talented thriller and horror specialist (at least I consider him to be one), Mr. Vikram Bhatt chose to produce the film, rather than directing it. Although the story has been written by Vikram Bhatt himself, but Mr. Bhushan Patel did the direction. And I loved his work. I would have enjoyed a lot more, if girls in cinema hall screamed a bit less. :P

I am not a professional critic. But I think that when we ought to watch some creativity, our expressions yield reactions automatically. I don’t watch horror movies to get scared, and never judge the script, acting and direction depending on how much scared I got. I look for creativity in the story, and how it was executed in the movie. And when it comes to horror movies, I think the domain of presentation becomes very narrow. And this is why we often come across the same sequences, almost similar, in every story. There are various movies, not just in Bollywood, who fail to present the 'invisible' in a creative manner. Their way of presentation is almost same in every movie. :O

You would be amazed, that the so called super horror movie : 'The Exorcist (1973)' was even based on several stories that went by at that time. Today there are many movies who portray several sections of  ‘The Exorcist’ modifying it to some extent. And ‘1920: Evil Returns’ is no exception. I clearly got to recognize the sequences; where they have been extracted from, and how they modified them.

The best thing in ‘1920 :Evil Returns’ is the music. The background score is mind blowing. Even the story line is good, but it gets pace only in second half of the movie. The new girl I saw there (May be I didn't watch any of her previous movies), Tia Bajpai, has done acting tremendously well. There was nothing too difficult in the story line for Aftab Shivdasani. So you will find him in the same mood, from start and till the end.

Other than several technical aspects, I concluded that the movie was worth watching.  :))

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